Engaging directly with time-feel and micro-timing on the electric guitar with specific exercises and style studies. This is for many levels of player who wants to draw focus to the elements of groove which are often excluded, glossed over or mythologized in the learning process.
A live video presentation at the fantastic 21st Century Guitar Conference “in” Lisbon, March 2021, hosted by the wonderful Amy Brandon and Rita Torres. ‘Digital Self-Sabotage’ explores we guitarists’ deep and twisted engagement with the fretboard, and how technology can expand and disrupt this bond for learning and insight.
Lecture and Workshop for Ableton at Glasgow’s Question Session in the beautiful Lighthouse venue. Make music from anything.
Feb 8 2020 Free Entry – For all Info: https://www.questionsession.co.uk
For centuries. composers have been reaching out beyond the musical world into nature, science and other disciplines for inspiration. Pythagoras conceived of a harmony created by the orbiting planets (The Music of the Spheres), Newton attached 7 colours of the rainbow to the notes of a scale, composers like J.S. Bach encoded their names into musical motifs, and Villa Lobos wrote melodies tracing the New York skyline. This workshop enables musicians of all styles to tap into this vast and profound craft of ‘data-music’. This long-established but niche craft has now been given a profound renaissance with contemporary technology: Ableton Live with bespoke Max for Live devices (available to participants in the workshop and distributed online) allow a world of real-time music creativity beyond the limits of human imagination. We will demonstrate such techniques as the automatic translation of your name into melodies, works of art into rhythms, spider webs into virtual harps, live weather reports into MIDI controls and countless other possible translations. This approach provides a uniqueness and profound meaning to your music-making whatever your stylistic interest, allowing you to tap into the infinite and uncharted universe of musical creativity.
I’ll be keynote speaker-erm-ing at the Royal Asociety of Medicine on Tuesday 4th September at the Royal Society of Medicine, London.
More details here and at the link above:
Join us as we explore the links between sleep, sleep disorders and all forms of art, literature, and music including modern digital media.
We will look at the effect of music in the sleeping brain, the portrayal of sleep and sleep disorders within works of art, the perils and pleasures of sleep apps and their effect on the public perception of sleep and the literature of dreams.
You will learn to:
- Understand public perception of sleep and sleep disorders and the role that the arts play
- The effect of specific musical frequencies upon the sleeping brain
- The impact of modern digital media upon sleep and circadian rhythm
- The portrayal of sleep and dream within art, literature, and film
A lovely discussion with BBC Studio Manager (and Radiophonic scholar) Jo Langton and presenter Tom Service on Radio 3’s Hidden Voices series on Music Matters. Kathleen Schlesinger’s The Greek Aulos, Ancient Greek Modes, microtonality, the work of Elsie Hamilton and its legacy today.
Book for the free December 5th 2018 6pm event at the Barbican here:
Hear what the neuroscience of falling asleep sounds like! Join composer and guitarist Milton Mermikides and Oxford Professor Morten Kringelbach – an expert in the neuroscience of pleasure – as they explore the musical qualities of sleep. This exciting dialogue will cover the science of sleep and its parallels with musical composition.
Kringelbach will discuss the neuroscience of music and why it is one of the strongest and most universal sources of human pleasure. Mermikides believes everything we do is music, and that music exists from the galaxies down to subatomic particles.
Together they will look at the neuroscience of human sleep and how harmonic patterns in our sleep cycle can be used to create musical compositions reflecting sleep during both health and disease. You will hear both what good and disrupted sleep patterns sound like. You’ll also find out how our body clock differs from the 24-hour clock and how this impacts our natural sleep cycle.
Kringelbach will present his new research identifying the neural pathways for how we fall asleep. Building on this, Mermikides will present new music he has composed based on Kringelbach’s discoveries. For the first time, you will hear what the neuroscience of falling asleep sounds like.
Sound Asleep is a public lecture open to everyone. It’s part of The Physiological Society’s Sleep and Circadian Rhythms meeting taking place at the Barbican between 5-6 December 2018.
Really looking forward to being on this fabulous panel at the fabulous QED conference in fabulous Manchester. Panel on 14th October 2018 Time TBC
An incredible experience providing the keynote presentation at the Hong Kong Academy of the Performing Arts as part of the 3rd Altamira Guitar Symposium and International Guitar Research Conference. The paper Nuages: Rhythmic Diffusion in the music of Roland Dyens explores the extraordinary rhythmic sensibilities of the recently departed guitarist/composer, and was an honour to be given the opportunity for such a tribute, in such an amazing venue among such company.
Looking forward to joining the great team of Justin Sandercoe, Bridget, Jon Bishop, Steve Allsworth at the tuition clinics at the UK Guitar Show 29-30 September 2018 at the Olympia Exhibition Centre. I’ll be doing two fun sessions:
Uncaging Rhythm Guitar (29/9/18 1.30-2pm)
Jazz Guitar for Mortals (30/9/18 12.30-1pm)
Full details below
Delighted to be giving the final public lecture for the Physiological Society’s snappily titled Sleep and Circadian Rhythms from Mechanisms to Function event as part of their 2018 Year of Sleep initiative. December 6 2018 Barbican, London. More details to follow.
On Friday 23rd March, I’ll be giving an Ableton-hosted workshop at the CCA, Glasgow on Breaking 4/4 – rhythmic shenanigans galore.
Booking here and details below.
Renowned TedX Groningen and Ableton Loop keynote speaker, Dr Milton Mermikides and Ableton Certified Trainer Phelan Kane take a look at some less than conventional ways to generate rhythms and sound. Using Live and custom Max for Live devices, this workshop introduces a range of tools and methods to break out of standard repetitive cycles of electronic music composition. Through a series of exercises using custom-built Max for Live devices, they’ll explore Euclidean sequencers, odd meter, micro timing, hypermeter, swing and latency, with the aim of unleashing your creativity and exploring uncharted territory beyond the standard 4/4 landscape.
Bridget and Milton Mermikides will be performing their classical guitar and live electronic project, Tension Blue at Canterbury Christ Church University, preceded by a talk on Milton’s Hidden Music series. Wednesday 24th January 2018, St Gregory’s Centre for Music (Talk 11.45am, Concert 1.10-2pm), Free Entry.
Does practice really make perfect or do musicians need a special innate ability to succeed? Neuroscientist Vin Walsh joins psychologist Lauren Stewart, music teacher and researcher Adam Ockelford, and composer and guitarist Milton Mermikides to discuss musicality, whether you can teach musicianship, and why some of us are more drawn to making music than others.
Tue 6 Jun 2017 8:30pm – 9:30pm
Cheltenham Science Festival
Parabola Arts Centre, Cheltenham Ladies’ College £8 plus transaction fee
Looking forward to being part of this panel discussion (click for tickets and info)
The first event in a series, the AES London Committee present a discussion exploring the relationship between creativity and technology. Chaired by Phelan Kane (Chair of the AES London Regional Committee), the aim is to create a dynamic forum that features free flowing discussion and debate with contribution from panel and audience members alike.
The purpose of this evening is to explore the relationship between technology and creativity within the landscape of modern audio practice. What form does this relationship take? How do modern audio practitioners use technology creatively within their everyday practice and what role does the technology play? How important is the creative output of practitioners within the development of new audio paradigms? How is R&D influenced by current creative workflow trends? Does the realisation of R&D lead to new creative workflows and to what extent do creative workflows influence the R&D process?
Confirmed Panel Members:
- Mandy Parnell – Mastering Engineer
- Justin Paterson – Associate Professor of Music Technology, London College of Music, University of West London
- Sarah Yule – Director of Channel Sales, ROLI
- Milton Mermikides – Head of Composition & MMus Programme Director, University of Surrey
- Justin Fraser – Producer / Engineer, Avid Certified Master Instructor
Am looking forward to this event and the opportunity to do something different and fun with the excellent Ensemble Montage.
What does the skyline of New York sound like? How can you make a composition from your sleep patterns or blood cells? Music can be made from anything we find around us, from our names or birth dates to our cells, from atoms to stars. Composer and guitarist Milton Mermikides presents the fascinating origins and history of data sonification – the translation of information or patterns into sound and music – as well as a selection of his own compositions derived from sleep cycles, viruses, paintings, exoplanetary moons, traffic patterns and other ‘non-musical’ data. In addition, a string trio of the Ensemble Montage will demonstrate how these data sound and perform a new composition based on ‘the hidden music’ of Noorderzon Performing Arts Festival. Discover how music can reveal the patterns in the natural world, and give us both a theoretical and aesthetic appreciation of everything around us.
For students and subscribers of Studium Generale tickets are € 5,-
Here’s details of a public seminar on Wednesday 29th October 4pm, TB06, University of Surrey.
4.00pm, Wednesday 29th October, TB06 FREE admission More Info
Dr Milton Mermikides (Surrey)
Musical Continua: Perception and Technology
Digital music technology has now fulfilled Varèse’s dream of “instruments obedient to […] thought”, Russolo’s call to “conquer the infinite variety of noise-sounds” and Busoni’s desire to “draw a little nearer to infinitude”. However, the staggering developments in music technology over the last 20 years has brought with it a less predictable outcome, the ability to better understand the mechanics of music itself, and to illuminate some of the mysteries of its expressive power. Through a survey of recent research projects, this seminar examines how our understanding of musical expression in pitch, rhythm and timbre can be enhanced with technological support, furthering analytical insight, artistic appreciation and creative practice.
Announcing a 2-day symposium (November 15-16 2013 at University of Notre Dame in Central London) examining the process, philosophy and products of collaborations between scientists, musicians and performing artists. It’s hosted and organised by me and my sister Dr. Alex Mermikides, and is an output of the Chimera Network – and AHRC-supported project promoting Art/Sci research.
Live lecture/performance of BloodLines at the Dana Centre, Science Museum. Thursday July 18th, 7-9pm.