The 2nd International Guitar Research Centre Conference (March 18-23, 2016) has attracted speakers and performers from every continent, and guitar style. It’s a fantastic line-up, and timetable shaping up.
Here’s details of a public seminar on Wednesday 29th October 4pm, TB06, University of Surrey.
4.00pm, Wednesday 29th October, TB06 FREE admission More Info
Dr Milton Mermikides (Surrey)
Musical Continua: Perception and Technology
Digital music technology has now fulfilled Varèse’s dream of “instruments obedient to […] thought”, Russolo’s call to “conquer the infinite variety of noise-sounds” and Busoni’s desire to “draw a little nearer to infinitude”. However, the staggering developments in music technology over the last 20 years has brought with it a less predictable outcome, the ability to better understand the mechanics of music itself, and to illuminate some of the mysteries of its expressive power. Through a survey of recent research projects, this seminar examines how our understanding of musical expression in pitch, rhythm and timbre can be enhanced with technological support, furthering analytical insight, artistic appreciation and creative practice.
Announcing a 2-day symposium (November 15-16 2013 at University of Notre Dame in Central London) examining the process, philosophy and products of collaborations between scientists, musicians and performing artists. It’s hosted and organised by me and my sister Dr. Alex Mermikides, and is an output of the Chimera Network – and AHRC-supported project promoting Art/Sci research.
Live lecture/performance of BloodLines at the Dana Centre, Science Museum. Thursday July 18th, 7-9pm.
Presenting at the Neuroscience of Imagination event at the British Library alongside Blind Summit Theatre, Pulitzer-nominated author Arthur I. Miller, Professor of neuroscience Vincent Walsh and Chiara Ambrosio was a real joy. You can hear my talk on the Myth of the Muse (essentially how composers and improvisers come up with stuff) in the video below.
Here’s a video of the presentation at the British Library on March 12th 2012. In preparation for the lecture I was put in an MRI machine with a plastic fretboard (aka ruler) and improvised while UCL neuroscientist Dr. Joern Diedrichsen examined my brain’s working. For the event I performed to a video of my brain activity showing what bits lit up (technical) during improvisation.
On musical learning and Pat Martino.
And my brain on jazz.