My essay on J.S.Bach’s crafty brilliance and its implications for us all is now published in the wonderful Aeon digital magazine. Many thanks to Nigel Warburton (author, philosopher and podcaster) for the commissioning, editing and constant support.
It was fun writing this track-by-track musicological analysis of Led Zep IV (50 this year ahem) for the cover feature of Classic Rock Magazine. Limited by copyright and terminology, it’s challenging and instructive to communicate deep theory without dumbing down. Also I now know how to hear the beginning of Rock n Roll and the bridge of Stairway. Get it here and all reasonable shops.
Total Guitar (Issue 345) has published an article on what Eurovision teaches us about music listening, and (guitar) performance. Some sample images below on rhythmic, perception, tempo and modulation respectively.
My Total Guitar article is here re-adapted and syndicated in Guitar World. The intersection of Metal and Eurovision – Eurometal.
My article providing practical insights into the music and playing of the late, great Allan Holdsworth is now available for public free consumption on MusicRadar (including notation & audio). A teaser below.
Musical illustrations of Arvo Pärt’s Spiegel im Spiegel and Beatitudes are now published in Arvo Pärt’s Resonant Texts: Choral and Organ Music 1956–2015 (Shenton 2018) and Illiano, R., & Locanto, M. (Eds.). (2019). Twentieth-century music and mathematics. Brepols.
These unpack the musical mechanisms of Arvo Pärt’s music as outlined in this lecture below.
A breakdown of the musical science of the Sea Shanty in Total Guitar Issue 344
Originally commissioned for Total Guitar, this examination of the reader-voted top 50 guitar solos is now publicly available on Guitar World.
Engaging directly with time-feel and micro-timing on the electric guitar with specific exercises and style studies. This is for many levels of player who wants to draw focus to the elements of groove which are often excluded, glossed over or mythologized in the learning process.
A live video presentation at the fantastic 21st Century Guitar Conference “in” Lisbon, March 2021, hosted by the wonderful Amy Brandon and Rita Torres. ‘Digital Self-Sabotage’ explores we guitarists’ deep and twisted engagement with the fretboard, and how technology can expand and disrupt this bond for learning and insight.
Soundboard Scholar (No.6) features my paper. “Monitored Freedom: Swing Rhythm in the Jazz Arrangements of Roland Dyens” examines the time-feel in the performances and scores of Roland Dyens, in particular reference to his arrangement of Nuages – and Django’s performances of this piece. Working with the genius Jonathan Leathwood is always a privilege and joy, and I am very grateful that my illustration is used as the cover image to the journal. Available here.
A pleasure to indulge in full-tilt nerdery about micro-timing with the annoyingly talented and annoyingly nice hosts of The Guitar Hour Podcast. \m/ \m/
Pleasing to see my ‘postcard’ analyses of Arvo Pärt’s Beatitudes and Spiegel Im Spiegel published in Andrew Shenton’s fine new work Arvo Pärt’s Resonant Texts (Cambridge University Press).
Here they are without explanation.
I’ll be keynote speaker-erm-ing at the Royal Asociety of Medicine on Tuesday 4th September at the Royal Society of Medicine, London.
More details here and at the link above:
Join us as we explore the links between sleep, sleep disorders and all forms of art, literature, and music including modern digital media.
We will look at the effect of music in the sleeping brain, the portrayal of sleep and sleep disorders within works of art, the perils and pleasures of sleep apps and their effect on the public perception of sleep and the literature of dreams.
You will learn to:
- Understand public perception of sleep and sleep disorders and the role that the arts play
- The effect of specific musical frequencies upon the sleeping brain
- The impact of modern digital media upon sleep and circadian rhythm
- The portrayal of sleep and dream within art, literature, and film
Sound Asleep was filmed by Jake Davison, Kate Wallace, Josephine Hannon and Megan Brown. They interviewed Professor Morten Kringelbach, a neuroscientist at the University of Oxford, and Professor Milton Mermikides, a composer guitarist and music theorist.
Jake explains: “The film is about the discovery of newly described changes in brain activity during sleep by Professor Kringelbach and his team, and how conversion of these findings to music could provide a useful diagnostic tool and possibly a therapeutic for sleep disorder treatment. We decided to cover this story because, in the age of smartphones, tablets and a 24/7 world, the quality of our sleep is decreasing and its importance is often overlooked. This new model of sleep brain activity developed by Professor Kringelbach and his team, as well as his collaboration with Professor Milton Mermikides to produce musical compositions from this data, will help us understand the mechanism of sleep better and therefore allow us to improve our own sleep. Both the ground-breaking nature of this research and the unorthodox method of utilising music to potentially unlock more discoveries seemed intriguing to us and something that needed to be heard about
A collaboration with Professor Morten Kringelbach, producing music based on his team’s research into the transitional networks involved during sleep is featured on BBC Radio 4’s weekly science podcase Inside Science and broadcast 28/3/19 at 16:30 and 21:00. Catch up here to listen And here for the wonderful research paper “Discovery of key whole-brain transitions and dynamics during human wakefulness and non-REM sleep” (Nature Comms)