A collaboration with Enzo de Sena (Senior Lecturer on the Tonmeister programme, University of Surrey), Deborah Dunn-Walters, Sarah Bailey and Nils Marggraf – sonifying kinship DNA and recognising familial relationships as shared motivic content. A documentary produced in collaboration with University of Surrey was aired on Italy’s Rai 3 flagship science programme Quinta Dimensione (viewership ≈886,000). Segment below.
May 24th 2022 2pm, a lecture for staff, students and public Oxford University’s wonderful new Centre for Eudaimonia and Human Flourishing. Directed by Prof Morten Kringelbach “The Centre undertakes interdisciplinary research into Human Flourishing, Eudaimonia and the Life Well-Lived with a special focus on human brain dynamics through its link with the Department of Psychiatry, University of Oxford and Center for Music in the Brain, Aarhus University, Denmark.”
The talk Hidden Music: Sonic translations of Nature will explore music as a tool for listening, and understanding patterns of the natural world, blurring the boundaries between people and the ‘outside world’, and ‘art’ and science. It will take place in the Pink Seminar Room in Linacre College and streamed online. Details here.
World Sleep 2022 is a global scientific congress bringing the best of sleep medicine and research to Rome, Italy, March 11–16, 2022. The World Sleep congress, now in its 16th iteration, consistently gathers the best minds in sleep medicine and research for multiple days of scientific sessions and networking.
Sound Asleep has now been presented at British Sleep Society, European Sleep Research Conference and World Sleep Congress engaging with hundreds of members of the International Sleep Community.
My essay on J.S.Bach’s crafty brilliance and its implications for us all is now published in the wonderful Aeon digital magazine. Many thanks to Nigel Warburton (author, philosopher and podcaster) for the commissioning, editing and constant support.
It was fun writing this track-by-track musicological analysis of Led Zep IV (50 this year ahem) for the cover feature of Classic Rock Magazine. Limited by copyright and terminology, it’s challenging and instructive to communicate deep theory without dumbing down. Also I now know how to hear the beginning of Rock n Roll and the bridge of Stairway. Get it here and all reasonable shops.
Total Guitar (Issue 345) has published an article on what Eurovision teaches us about music listening, and (guitar) performance. Some sample images below on rhythmic, perception, tempo and modulation respectively.
My Total Guitar article is here re-adapted and syndicated in Guitar World. The intersection of Metal and Eurovision – Eurometal.
My article providing practical insights into the music and playing of the late, great Allan Holdsworth is now available for public free consumption on MusicRadar (including notation & audio). A teaser below.
Musical illustrations of Arvo Pärt’s Spiegel im Spiegel and Beatitudes are now published in Arvo Pärt’s Resonant Texts: Choral and Organ Music 1956–2015 (Shenton 2018) and Illiano, R., & Locanto, M. (Eds.). (2019). Twentieth-century music and mathematics. Brepols.
These unpack the musical mechanisms of Arvo Pärt’s music as outlined in this lecture below.
A breakdown of the musical science of the Sea Shanty in Total Guitar Issue 344
Originally commissioned for Total Guitar, this examination of the reader-voted top 50 guitar solos is now publicly available on Guitar World.
Engaging directly with time-feel and micro-timing on the electric guitar with specific exercises and style studies. This is for many levels of player who wants to draw focus to the elements of groove which are often excluded, glossed over or mythologized in the learning process.
A live video presentation at the fantastic 21st Century Guitar Conference “in” Lisbon, March 2021, hosted by the wonderful Amy Brandon and Rita Torres. ‘Digital Self-Sabotage’ explores we guitarists’ deep and twisted engagement with the fretboard, and how technology can expand and disrupt this bond for learning and insight.
Soundboard Scholar (No.6) features my paper. “Monitored Freedom: Swing Rhythm in the Jazz Arrangements of Roland Dyens” examines the time-feel in the performances and scores of Roland Dyens, in particular reference to his arrangement of Nuages – and Django’s performances of this piece. Working with the genius Jonathan Leathwood is always a privilege and joy, and I am very grateful that my illustration is used as the cover image to the journal. Available here.
A pleasure to indulge in full-tilt nerdery about micro-timing with the annoyingly talented and annoyingly nice hosts of The Guitar Hour Podcast. \m/ \m/
Pleasing to see my ‘postcard’ analyses of Arvo Pärt’s Beatitudes and Spiegel Im Spiegel published in Andrew Shenton’s fine new work Arvo Pärt’s Resonant Texts (Cambridge University Press).
Here they are without explanation.