A short, deep dive into harmonic consonance and dissonance and an understanding of harmonic flavour and spiciness. Dissonance curves, interval classes, vectors, All-interval tetrachords and introducing the Harmonic Scoville (or Scofield?) Scale.
This video reveals the beautifully interconnected symmetry of the diatonic modes, three entwined cycle of rotation, brightness and reflection in a single compass. Further Reading/Sources: Touissaint’s original Euclidean paper (concerning rhythms but relevant here): http://cgm.cs.mcgill.ca/~godfried/pub… Persichetti’s quite awesome and insightful ’20th century harmony’: https://www.academia.edu/38883692/Vin…
Every chord in the (12TET) Universe – a gentle introduction to Pitch-class Set Theory.
To download the Mr. PC patches (for Max/MSP standalone and Max for Live click below. Note: 1) they both need the excellent and free Bach package by A. Agostini & D. Ghisi (installable in Max’s Package manager) consider donating (to them). 2) For Apple Silicon computers, Max needs to be running under Rosetta. 3) These are good enough tools for teaching and music adventure – use at your own theoretical risk.
A cosmic view of the earthly and unassuming diatonic scale.
It’s privilege to present the Keynote for the Guitar Foundation of America convention this year.
The event runs June 26, 2022,5 PM – 9:30 PM UTC+01 on Zoom (register to join)You are warmly invited to join us for a series of discussions with scholars from Brazil, the United States, Switzerland, and England. Attendees will have the opportunity to speak informally with the presenters or simply listen. Registration is required. Abstract below:
Diamonds, Abaci, and Hexagrams: Exploring the Pitch Surface of the Guitar Fretboard
In this presentation, I will analyze the idiosyncrasies, challenges, limits, and affordances of the guitar’s “pitch surface”: its fretboard and tuning. Whatever the context—staff notation, music theory, improvisation, performance, and other arenas of guitar activity—the layout of the fretboard exerts a profound influence on how guitarists learn, play, and compose. Inspired by De Souza, Goodrick, and Martino, I will also explore the benefits of creative constraints: scordatura, capo, MIDI tools, and other ways of remapping the guitar’s pitch matrix. These constraints can be used to break the guitarist’s tight auditory-motor link, revitalizing the fretboard as a primary musical space and insightful musical “abacus.”
My essay on J.S.Bach’s crafty brilliance and its implications for us all is now published in the wonderful Aeon digital magazine. Many thanks to Nigel Warburton (author, philosopher and podcaster) for the commissioning, editing and constant support.
It was fun writing this track-by-track musicological analysis of Led Zep IV (50 this year ahem) for the cover feature of Classic Rock Magazine. Limited by copyright and terminology, it’s challenging and instructive to communicate deep theory without dumbing down. Also I now know how to hear the beginning of Rock n Roll and the bridge of Stairway. Get it here and all reasonable shops.
Musical illustrations of Arvo Pärt’s Spiegel im Spiegel and Beatitudes are now published in Arvo Pärt’s Resonant Texts: Choral and Organ Music 1956–2015 (Shenton 2018) and Illiano, R., & Locanto, M. (Eds.). (2019). Twentieth-century music and mathematics. Brepols.
These unpack the musical mechanisms of Arvo Pärt’s music as outlined in this lecture below.
A breakdown of the musical science of the Sea Shanty in Total Guitar Issue 344
Originally commissioned for Total Guitar, this examination of the reader-voted top 50 guitar solos is now publicly available on Guitar World.
A live video presentation at the fantastic 21st Century Guitar Conference “in” Lisbon, March 2021, hosted by the wonderful Amy Brandon and Rita Torres. ‘Digital Self-Sabotage’ explores we guitarists’ deep and twisted engagement with the fretboard, and how technology can expand and disrupt this bond for learning and insight.
Soundboard Scholar (No.6) features my paper. “Monitored Freedom: Swing Rhythm in the Jazz Arrangements of Roland Dyens” examines the time-feel in the performances and scores of Roland Dyens, in particular reference to his arrangement of Nuages – and Django’s performances of this piece. Working with the genius Jonathan Leathwood is always a privilege and joy, and I am very grateful that my illustration is used as the cover image to the journal. Available here.
A pleasure to indulge in full-tilt nerdery about micro-timing with the annoyingly talented and annoyingly nice hosts of The Guitar Hour Podcast. \m/ \m/
Pleasing to see my ‘postcard’ analyses of Arvo Pärt’s Beatitudes and Spiegel Im Spiegel published in Andrew Shenton’s fine new work Arvo Pärt’s Resonant Texts (Cambridge University Press).
Here they are without explanation.
A lovely discussion with BBC Studio Manager (and Radiophonic scholar) Jo Langton and presenter Tom Service on Radio 3’s Hidden Voices series on Music Matters. Kathleen Schlesinger’s The Greek Aulos, Ancient Greek Modes, microtonality, the work of Elsie Hamilton and its legacy today.
By (heavily belated) popular demand here’s a stab at ‘common-practice’ chord progressions in major and now minor keys!
Really looking forward to being on this fabulous panel at the fabulous QED conference in fabulous Manchester. Panel on 14th October 2018 Time TBC
Trying to push my Push skills up a peg with Peg and Steely Dan’s gorgeous µ harmonies.