My essay on J.S.Bach’s crafty brilliance and its implications for us all is now published in the wonderful Aeon digital magazine. Many thanks to Nigel Warburton (author, philosopher and podcaster) for the commissioning, editing and constant support.
It was fun writing this track-by-track musicological analysis of Led Zep IV (50 this year ahem) for the cover feature of Classic Rock Magazine. Limited by copyright and terminology, it’s challenging and instructive to communicate deep theory without dumbing down. Also I now know how to hear the beginning of Rock n Roll and the bridge of Stairway. Get it here and all reasonable shops.
Hidden Music featured in the wonderful New Scientist Podcast
Total Guitar (Issue 345) has published an article on what Eurovision teaches us about music listening, and (guitar) performance. Some sample images below on rhythmic, perception, tempo and modulation respectively.
My Total Guitar article is here re-adapted and syndicated in Guitar World. The intersection of Metal and Eurovision – Eurometal.
My article providing practical insights into the music and playing of the late, great Allan Holdsworth is now available for public free consumption on MusicRadar (including notation & audio). A teaser below.
Musical illustrations of Arvo Pärt’s Spiegel im Spiegel and Beatitudes are now published in Arvo Pärt’s Resonant Texts: Choral and Organ Music 1956–2015 (Shenton 2018) and Illiano, R., & Locanto, M. (Eds.). (2019). Twentieth-century music and mathematics. Brepols.
These unpack the musical mechanisms of Arvo Pärt’s music as outlined in this lecture below.
A breakdown of the musical science of the Sea Shanty in Total Guitar Issue 344
Originally commissioned for Total Guitar, this examination of the reader-voted top 50 guitar solos is now publicly available on Guitar World.
Engaging directly with time-feel and micro-timing on the electric guitar with specific exercises and style studies. This is for many levels of player who wants to draw focus to the elements of groove which are often excluded, glossed over or mythologized in the learning process.
A live video presentation at the fantastic 21st Century Guitar Conference “in” Lisbon, March 2021, hosted by the wonderful Amy Brandon and Rita Torres. ‘Digital Self-Sabotage’ explores we guitarists’ deep and twisted engagement with the fretboard, and how technology can expand and disrupt this bond for learning and insight.
Soundboard Scholar (No.6) features my paper. “Monitored Freedom: Swing Rhythm in the Jazz Arrangements of Roland Dyens” examines the time-feel in the performances and scores of Roland Dyens, in particular reference to his arrangement of Nuages – and Django’s performances of this piece. Working with the genius Jonathan Leathwood is always a privilege and joy, and I am very grateful that my illustration is used as the cover image to the journal. Available here.
CLP was featured in the Metro newspaper tech section on Friday 13th November 2020. More on the project:
A collaboration with Dr Enzo De Sena, the mutations of the Covid-19 virus over 500 generations are sonified. Every motif is formed by the mutation of successive Covid-19 strains. Although ‘musical’ decisions are made, they are done so not to cloak the data with familiar emotional signs, but to reveal the hidden music of the mutations – as such motivic similarity and variation are the shared language of music and biology. Despite the remarkable amount of change it should be appreciated that Covid-19 is in fact relatively stable, so the hope for an effective vaccine remains.
This project tries to sonify the genetic mutations of COVID-19 as they are observed over time. The main aim of the project is to satisfy a personal curiosity and for artistic purposes. However, it is hoped that sonifying the mutations could highlight patterns that would not be picked up otherwise.
The current sonification methodology associates notes’ timing to the position of the mutation within the DNA and pitch to the type of nucleotide mutation (e.g. G->A, or C->T etc). This means that the position of the mutation results in different rhythmic placement, and the type of nucleotide mutation results in different melodies.
To follow the project visit: miltonline.com/covid-sonify
A pleasure to indulge in full-tilt nerdery about micro-timing with the annoyingly talented and annoyingly nice hosts of The Guitar Hour Podcast. \m/ \m/