Data Sonification

The Rhythm of Life

My deep interest in the fields of (micro/macro) rhythm and data music, came together in the BBC Radio 4 ‘The Rhythm of Life’ 2-episode series presented by Evelyn Glennie. A great pleasure to chat rhythm and music translations with her, among fabulous Bridget Riley prints at the Tate Britain. I appear briefly at the end of Episode 1, but with more to say in Episode 2 The World as an Orchestra.
Listen live on Tuesday 28th 2018 and September 1st 2018 11.30am, or catch up after the first airing here 

Here’s some background 

Virtuoso percussionist Dame Evelyn Glennie reveals a hidden world of rhythm around us and searches for musical inspiration from some unlikely sources.

As a musician and rhythm obsessive, Evelyn has always beenfascinated by the rhythmic nature of the world around us. She explains that, by learning to focus our attention, we can tap into a complex realm of energy and pattern in our surroundings. Over the course of the programme, Evelyn tunes into everything from the oscillation of a tree in the wind to the polyrhythmic groove of our solar system.

Visiting the Mini plant in Oxford, an enormous factory that beats out a steady meter of 1000 cars a day, Evelyn surveys the endless rows of robotic arms and describes the location as “like being in a massive percussion instrument”. Walking around the factory, Evelyn is desperate to “play the space”. Back in her studio, surrounded by percussion instruments, she does exactly that – hammering out a metallic improvisation inspired by the rhythms of the production line.

Evelyn explains that she has always drawn inspiration from non-musical art forms. At Tate Britain, surrounded by prints by Bridget Riley, Evelyn meets the composer Milton Mermikides who uses digital technology to translate Riley’s famously rhythmic paintings into mesmeric music. Evelyn also performs a percussive piece in response to the looping rhythms of Riley’s work.

Finally, Evelyn gazes up at the buildings that line the Thames with composer Peter Adjaye, whose work is heavily influenced by the rhythm of architecture. Evelyn explains that, like a piece of music, a building is a composition based on structure, ornamentation, repetitive patterns and layer upon layer of rhythm.

Presenter: Evelyn Glennie
Producer: Max O’Brien
A TBI production for BBC Radio 4.


Image to Sound

A max/msp/Ableton Live tool I’m building to aid my hidden music projects. So many possibilities, these are literally first-go unpolished demos. Images by Bridget Riley.

A Year of Sleep

…I wish.

Delighted to be giving the final public lecture for the Physiological Society’s snappily titled Sleep and Circadian Rhythms from Mechanisms to Function event as part of their 2018 Year of Sleep initiative. December 6 2018 Barbican, London. More details to follow.

Home

https://www.physoc.org/sleep_circadian/sleep-and-circadian-rhythms-mechanisms-function

Hidden Music and Tension Blue at Canterbury Christ Church University Wed 24th Jan

Bridget and Milton Mermikides will be performing their classical guitar and live electronic project, Tension Blue at Canterbury Christ Church University, preceded by a talk on Milton’s Hidden Music series. Wednesday 24th January 2018, St Gregory’s Centre for Music (Talk 11.45am, Concert 1.10-2pm), Free Entry.

Details and Booking

 

 

Noorderzon Festival

Am looking forward to this event and the opportunity to do something different and fun with the excellent Ensemble Montage.

Milton Mermikides & Ensemble Montage | Hidden Music

What does the skyline of New York sound like? How can you make a composition from your sleep patterns or blood cells? Music can be made from anything we find around us, from our names or birth dates to our cells, from atoms to stars. Composer and guitarist Milton Mermikides presents the fascinating origins and history of data sonification – the translation of information or patterns into sound and music – as well as a selection of his own compositions derived from sleep cycles, viruses, paintings, exoplanetary moons, traffic patterns and other ‘non-musical’ data. In addition, a string trio of the Ensemble Montage will demonstrate how these data sound and perform a new composition based on ‘the hidden music’ of Noorderzon Performing Arts Festival. Discover how music can reveal the patterns in the natural world, and give us both a theoretical and aesthetic appreciation of everything around us.

For students and subscribers of Studium Generale tickets are € 5,- 

TedX Groningen: Everything We Do is Music

Pendulum Music

Translation of pendulum waves to music using a simple pitch translation system on a 5-limit Yo scale. Watch the right hand edge and all will make sense! This little experiment turned out so well, I think it deserves a whole project. My head and ears are spinning.

Bloodlines on Radio 4 Midweek

A real pleasure to appear with my sister Alex to talk about the Bloodlines project (and data sonification in general) on BBC Radio 4’s Midweek on Wednesday 28th October hosted by the quite brilliant Libby Purves. Fellow guests included the delightful and inspirational Peggy Seeger and Amati’s James Buchanan.

Available here:

Sonic Circles

The next in the series of Hidden Music data sonification works. Data sonification is a long term interest/project/passion of mine, which involves the systematic translation of ‘non-musical’ data into music.

Here I’ve taken Kandinsky’s beautiful 1926 painting Several Circles and translated it systematically into sound. Colour and vertical position are translated into timbre and pitch respectively, as the red cursor scans the image horizontally.

Whether Kandinsky was a synaesthete or not is disputed, but his fusion of music and visual art metaphor, working process and concept is well documented. From the link:

“Our response to his work should mirror our appreciation of music and should come from within, not from its likenesses to the visible world: “Colour is the keyboard. The eye is the hammer. The soul is the piano with its many strings.”
Kandinsky achieved pure abstraction by replacing the castles and hilltop towers of his early landscapes with stabs of paint or, as he saw them, musical notes and chords that would visually “sing” together. In this way, his swirling compositions were painted with polyphonic swathes of warm, high-pitched yellow that he might balance with a patch of cold, sonorous blue or a silent, black void.”

Thanks as ever to Anna Tanczos for the visuals.

 

 

Distant Harmony

Here’s the first in a long series of data sonification experiments. This Hidden Music series is a long term interest/project/passion of mine, which involves the systematic translation of ‘non-musical’ data into music. Here’s a simple example, the orbital periods of the planets of the solar system translated into pitch and rhythm. The rhythms are simply created by speeding up the actual orbital periods by 25 octaves (doubling the speed 25 times), and the pitches are created by transposing them up 37 octaves. I haven’t quantized pitch or rhythm, so its both microtonal to the nearest cent  (100th of a semitone) and microtemporal (to the nearest millisecond), but I hear a clockwork beauty in this irrational/chaotic collection of ratios nonetheless. Stay tuned for some even more distant harmony from some ex-planets. I recommend a sub-bass speaker to really feel Uranus and Neptune’s drones. Thanks to Rob Scott for his space science brain, and my long term partner-in-nerd Anna Tanczos for the visuals.

 

Hidden Music Exhibition Lewis Elton Gallery

Here’s some info for my Hidden Music exhibition 7-13 May 2015 at the Lewis Elton Gallery. A series of works created through translation of natural phenomena into sound.

Hidden Music

New York Skyline Melody Visualised

I asked my friend and many-time collaborator Anna Tanczos to visualise Villa-Lobos’s New York Skyline Melody for a recent lecture-presentation. The results are fantastic (I predict 1000s of views), and you can see exactly how Villa-Lobos translated the New York Skyline into a solo piano work (note the multiple voices with the foreground and background buildings). This piece has been a big inspiration to me the field of data sonification. For more on New York Skyline Melody and similar works see here, and for all things Data Sonification here.

Changes Over Time

Here’s the theoretical section of my PhD Changes Over Time (2010)

Changes Over Time:Theory – Milton Mermikides by Milton Mermikides

And the practice portion:

Changes Over Time Practice Milton Mermikides by Milton Mermikides


 

Bloodlines Fabrica Vitae Tour in London

Bloodlines installation in London this Thursday 27 February, 7pm

Fabrica Vitae Website Launch | Thursday 27 February,7pm

NewImage

Bloodlines feature in Times Higher Education

The Times Higher Education have run a well-written feature on the Bloodlines project.

Transplant inspires siblings’ Bloodlines project | News | Times Higher Education.

Hidden Music

For a dynamic list of Hidden Music projects click here.

Hidden Music:Sonic is a collection of electronic works using compositional systems to translate physical phenomena of the biological world into complex mesmeric soundscapes. Source material include the DNA, colour and shape of microbacterial colonies, the population of blood cells during leukaemia treatment, the shape of the coronal suture of the human skull, tree-rings, MRI scans of the human brain and the passage of molecules through the cell membrane.

Bonus material! Album purchase includes 6,000 word liner notes, detailing the philosophy and process behind these works.

Microcosmos

Funded by the Wellcome Trust, Microcosmos is a sound installation project in collaboration with microbiologist Dr. Simon Park and Cameraman Steve Downer (Blue Planet, Life on Earth etc.). The DNA codes, colour & shape of microbacterial colonies are translated into sound design using a complex automated mapping system. The resulting soundscape reveals the hidden music of this spectacularly tiny world. Microcosmos has been performed internationally including the Science Museum, Royal Academy of Music, Art Researches Science Belgium and disseminated in international conferences. Here is an extract of the piece:

Some images from the installation below as well as a representation of the mapping system employed (from the hidden music liner notes)

 

DarkScren Bacteria Screen & Speakers Reflection

 

Microcosmos Array

 

 

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