Colours of the Ukraine Flag making their own music.
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Category: Music
The Sound Asleep project was presented with Professor Debra Skene in the World Sleep Congress on March 11 2022, Rome, Italy,
World Sleep 2022 is a global scientific congress bringing the best of sleep medicine and research to Rome, Italy, March 11–16, 2022. The World Sleep congress, now in its 16th iteration, consistently gathers the best minds in sleep medicine and research for multiple days of scientific sessions and networking.
Sound Asleep has now been presented at British Sleep Society, European Sleep Research Conference and World Sleep Congress engaging with hundreds of members of the International Sleep Community.
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Bendology in Total Guitar
It was fun putting together this article with Chris Bird for Total Guitar (Feb 2022), and using the whole BoomerBendGate as an opportunity for some bendological research. In so doing discovered some ridiculously killer zoomer players in Tim Henson, Mateus Asato, Wes Hauch, Ichiko Nito, Plini and all.
And is now published online in Guitar World
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Pat Martino GT Tribute
It was a painful privilege to write this tribute to Pat Martino (1944-2021) who passed away on November 1 2021. Published in Guitar Techniques Magazine Issue 330
Super happy to be made an Ableton Certified Trainer, and join a wonderful international community of artist-educator-technologists from 56 countries. Just 8 of us from the UK were selected since 2013, so it’s a real privilege. I am of course a technophile (=nerd), but I have a particular love for Ableton Live (and Push) which – now with Max for Live – is incredibly open, flexible, and linked to diverse forms of historical and contemporary music making in composition, performance, production, and programming. I genuinely love Live and Ableton and relate to their musical ethos deeply.
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John Mayer in GT
My article on the remarkable John Mayer’s Blues techniques is the cover feature of Guitar Techniques GT328. Read it and (make your guitar) weep.
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J.S.Bach in Aeon
My essay on J.S.Bach’s crafty brilliance and its implications for us all is now published in the wonderful Aeon digital magazine. Many thanks to Nigel Warburton (author, philosopher and podcaster) for the commissioning, editing and constant support.
https://aeon.co/essays/look-into-the-secret-world-of-numerology-and-puzzles-in-bach
The wonderful New Zealand classical guitarist and professor Matthew Marshall is touring Insighted in his 12-date tour around NZ and Australia (July-August 2021) in a super eclectic programme. Sounds great in rehearsals, what fun. Score now available.
It was fun writing this track-by-track musicological analysis of Led Zep IV (50 this year ahem) for the cover feature of Classic Rock Magazine. Limited by copyright and terminology, it’s challenging and instructive to communicate deep theory without dumbing down. Also I now know how to hear the beginning of Rock n Roll and the bridge of Stairway. Get it here and all reasonable shops.
Hidden Music featured in the wonderful New Scientist Podcast
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Lessons from Eurovision
Total Guitar (Issue 345) has published an article on what Eurovision teaches us about music listening, and (guitar) performance. Some sample images below on rhythmic, perception, tempo and modulation respectively.
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Eurometal in Guitar World
My Total Guitar article is here re-adapted and syndicated in Guitar World. The intersection of Metal and Eurovision – Eurometal.
My article providing practical insights into the music and playing of the late, great Allan Holdsworth is now available for public free consumption on MusicRadar (including notation & audio). A teaser below.
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Anatomy of a Guitar Solo
Originally commissioned for Total Guitar, this examination of the reader-voted top 50 guitar solos is now publicly available on Guitar World.
Engaging directly with time-feel and micro-timing on the electric guitar with specific exercises and style studies. This is for many levels of player who wants to draw focus to the elements of groove which are often excluded, glossed over or mythologized in the learning process.
A live video presentation at the fantastic 21st Century Guitar Conference “in” Lisbon, March 2021, hosted by the wonderful Amy Brandon and Rita Torres. ‘Digital Self-Sabotage’ explores we guitarists’ deep and twisted engagement with the fretboard, and how technology can expand and disrupt this bond for learning and insight.
Soundboard Scholar (No.6) features my paper. “Monitored Freedom: Swing Rhythm in the Jazz Arrangements of Roland Dyens” examines the time-feel in the performances and scores of Roland Dyens, in particular reference to his arrangement of Nuages – and Django’s performances of this piece. Working with the genius Jonathan Leathwood is always a privilege and joy, and I am very grateful that my illustration is used as the cover image to the journal. Available here.
CLP was featured in the Metro newspaper tech section on Friday 13th November 2020. More on the project:
A collaboration with Dr Enzo De Sena, the mutations of the Covid-19 virus over 500 generations are sonified. Every motif is formed by the mutation of successive Covid-19 strains. Although ‘musical’ decisions are made, they are done so not to cloak the data with familiar emotional signs, but to reveal the hidden music of the mutations – as such motivic similarity and variation are the shared language of music and biology. Despite the remarkable amount of change it should be appreciated that Covid-19 is in fact relatively stable, so the hope for an effective vaccine remains.
– Milton
This project tries to sonify the genetic mutations of COVID-19 as they are observed over time. The main aim of the project is to satisfy a personal curiosity and for artistic purposes. However, it is hoped that sonifying the mutations could highlight patterns that would not be picked up otherwise.
The current sonification methodology associates notes’ timing to the position of the mutation within the DNA and pitch to the type of nucleotide mutation (e.g. G->A, or C->T etc). This means that the position of the mutation results in different rhythmic placement, and the type of nucleotide mutation results in different melodies.
– Enzo
To follow the project visit: miltonline.com/covid-sonify
Papers available: J. Weinel, J.P. Bowen, G. Diprose, and N. Lambert (eds.) EVA London 2020: Electronic Visualisation & the Arts. Proceedings of a conference to be held online in November. BCS, The Chartered Institute for IT, 2020. ISBN 978-1-78017-538-6.
Papers online. Published online via ScienceOpen by the BCS: The Chartered Institute for IT, in the series: Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2020). DOI 10.14236/ewic/EVA2020.0 – see also DBLP access.
A pleasure to indulge in full-tilt nerdery about micro-timing with the annoyingly talented and annoyingly nice hosts of The Guitar Hour Podcast. \m/ \m/
The Careful project has expanded and developed to now support student nurses during the pandemic. The project has been disseminated by The Stage and Medical News Sites.
“A set of drama-based resources to help Kingston University, London nursing students working during the Covid-19 pandemic have been put together through a collaboration with world-leading performing arts school Guildhall School of Music & Drama, London.”
https://www.news-medical.net/news/20200621/Drama-based-resources-help-Kingston-University-nursing-students-to-cope-with-coronavirus-pandemic.aspx
https://www.thestage.co.uk/news/coronavirus-guildhall-creates-online-drama-resources-for-nursing-students
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