Delighted to be giving the final public lecture for the Physiological Society’s snappily titled Sleep and Circadian Rhythms from Mechanisms to Function event as part of their 2018 Year of Sleep initiative. December 6 2018 Barbican, London. More details to follow.
Careful at the Rose Main Theatre, Kingston June 5 2018 2pm – This unique dance/theatre performance puts you in the care of five over-stretched nurses as they struggle to balance empathy and efficiency, compassion and clinical proficiency. Inspired by its makers’ experience of long-term hospitalization, Careful celebrates the skill, beauty and toil of professional nursing as seen through the eyes of the patient. Introduced by Professor Karen Norman, a leading expert in nursing, the performance forms part of The Art of Nursing, an annual event hosted by Kingston University and St George’s hospital.
This event is designed for students and professionals of nursing, though members of the public are very warmly welcomed to attend.
Careful was developed in collaboration with the Clinical Skills and Simulation team at Kingston University and St George’s University London. The collaboration has also led to the development of workshops designed to enhance self-awareness and non-technical skills of patient care, which now form part of the Nursing practice curriculum.
Careful is a project by Chimera, an arts company/research network dedicated to making engrossing artworks about, for and with the medical and healthcare sector. Led by Dr Alex Mermikides (Guildhall School of Music & Drama) and Dr Milton Mermikides (University of Surrey), we also create impactful events for students, researchers and the general public. Our work has been supported with funding from the Arts and Humanities Research Council and Arts Council England. www.chimeranetwork.org.
Duration 90 minutes, including introductory talk and post-show discussion. Please note that the event will be filmed for evaluation and publicity purposes. Book FREE tickets here
Renowned TedX Groningen and Ableton Loop keynote speaker, Dr Milton Mermikides and Ableton Certified Trainer Phelan Kane take a look at some less than conventional ways to generate rhythms and sound. Using Live and custom Max for Live devices, this workshop introduces a range of tools and methods to break out of standard repetitive cycles of electronic music composition. Through a series of exercises using custom-built Max for Live devices, they’ll explore Euclidean sequencers, odd meter, micro timing, hypermeter, swing and latency, with the aim of unleashing your creativity and exploring uncharted territory beyond the standard 4/4 landscape.
Bridget and Milton Mermikides will be performing their classical guitar and live electronic project, Tension Blue at Canterbury Christ Church University, preceded by a talk on Milton’s Hidden Music series. Wednesday 24th January 2018, St Gregory’s Centre for Music (Talk 11.45am, Concert 1.10-2pm), Free Entry.
Does practice really make perfect or do musicians need a special innate ability to succeed? Neuroscientist Vin Walsh joins psychologist Lauren Stewart, music teacher and researcher Adam Ockelford, and composer and guitarist Milton Mermikides to discuss musicality, whether you can teach musicianship, and why some of us are more drawn to making music than others.
Tue 6 Jun 2017 8:30pm – 9:30pm
Cheltenham Science Festival
Parabola Arts Centre, Cheltenham Ladies’ College £8 plus transaction fee
The first event in a series, the AES London Committee present a discussion exploring the relationship between creativity and technology. Chaired by Phelan Kane (Chair of the AES London Regional Committee), the aim is to create a dynamic forum that features free flowing discussion and debate with contribution from panel and audience members alike.
The purpose of this evening is to explore the relationship between technology and creativity within the landscape of modern audio practice. What form does this relationship take? How do modern audio practitioners use technology creatively within their everyday practice and what role does the technology play? How important is the creative output of practitioners within the development of new audio paradigms? How is R&D influenced by current creative workflow trends? Does the realisation of R&D lead to new creative workflows and to what extent do creative workflows influence the R&D process?
Confirmed Panel Members:
Mandy Parnell – Mastering Engineer
Justin Paterson – Associate Professor of Music Technology, London College of Music, University of West London
Sarah Yule – Director of Channel Sales, ROLI
Milton Mermikides – Head of Composition & MMus Programme Director, University of Surrey
What does the skyline of New York sound like? How can you make a composition from your sleep patterns or blood cells? Music can be made from anything we find around us, from our names or birth dates to our cells, from atoms to stars. Composer and guitarist Milton Mermikides presents the fascinating origins and history of data sonification – the translation of information or patterns into sound and music – as well as a selection of his own compositions derived from sleep cycles, viruses, paintings, exoplanetary moons, traffic patterns and other ‘non-musical’ data. In addition, a string trio of the Ensemble Montage will demonstrate how these data sound and perform a new composition based on ‘the hidden music’ of Noorderzon Performing Arts Festival. Discover how music can reveal the patterns in the natural world, and give us both a theoretical and aesthetic appreciation of everything around us.
For students and subscribers of Studium Generale tickets are € 5,-
The 2nd International Guitar Research Centre Conference (March 18-23, 2016) has attracted speakers and performers from every continent, and guitar style. It’s a fantastic line-up, and timetable shaping up.
The next international conference of the International Guitar Research Centre has been announced. It will take place 18th to 23rd March 2016. The call for papers, keynote speakers and headline concert artists can be found here. The deadline for proposals is midnight GMT on Friday 9th October 2015.
The IGRC has no stylistic or conceptual prejudice, if you are doing work that is innovative, creative and related to the guitar, we are interested. For further info