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Skepticism Writing

Your Skeptic Stories

[Editor’s Note: As a precursor to The Amazing Meeting! 9, we have collected a series of stories from readers like you; people who have, through one means or another, discovered skepticism and critical thinking. These stories remind us that we all started somewhere and some of us are still finding our way as skeptics If you are interested in contributing your own story, please submit your piece of around 1000 words to maria (at) randi.org along with a short 2-3 line bio.

Today’s stories comes from one of our regular contributors to the blog, Dr. Milton Mermikides]

 

The Boy Who Stared At Pencils: A Potted Early History of One Man’s Stumble to Skepticism: By Dr. Milton Mermikides

In deference to TAM’s imminent arrival I’ve been invited to pen – or key – a short account of my journey to skepticism. I’ve provided an essay for JREF previously on what I feel is the importance of skepticism so I’ll deal here with a time-line of selected key moments in the first 12 years of my life – a series of micro-epiphanies – which in retrospect held particular importance to my development and interest in skeptical issues. I offer these in the hope that they might ring some bells in the skeptic community, or cause some bells to ring for those on the fence, or at least the bells might play a pretty fine tune.  

 

Age 0: Christening  

For most of my youth I was convinced that I could remember this in some detail: The gold-leaf of the christening bath, the priest’s beard, the prolonged dunking and the feeling of being watched by a group of adults. It was years later when I discovered an old movie with all these elements in place, and the knowledge that I had watched it a number of times in my early years.  

Epiphany: However real it feels, or vividly it is recalled, a memory of an event is no guarantee of its veracity.    

 

Age 5: Assumptions  

Playing outside the house I find a stick and proceed to hit objects with it. Including the back of my dad’s white car. As I do so, I hear my name being called and I look up to see a bird on the fence staring right at me. Stunned, I hit the car again and again the bird calls my name louder, and louder with each firm hit of the stick. Being an aficionado of Dr. Doolittle’s work I am excited by this new field of inter-species communication, and give the car one final terrific whack. At which point my furious dad emerges from the car, now obviously the owner of the voice, and chases me around the garden for attacking his car while ignoring his calls.  

Epiphany: 1) The brain can construct entirely convincing scenarios and explanations in which the conscious mind can happily live, however surreal or false they may be. 2) I’m an idiot.      

 Age 6: Big  

Spending summers in Greece before the advent of light pollution, I used to lie on the beach staring into space on moonless nights. As my eyes became accustomed to the darkness, the stars would multiply until they dissolved into clouds, and when my little brain couldn’t take it any more, clouds of clouds of stars seemed to appear, and to top it all shooting stars, having traveled for millions of years, would flare and burn up across the sky every few minutes while I watched alone reflecting on the enormity of space, the possibilities of alien life and my minute but privileged existence within it.  

Epiphany: 1) Humility and appreciation can emerge from the consideration of the natural world. 2) There is a limit to the imagination and conceptual capacity of the brain.  

 

Age 7: Time  

I am given a book on visions of the future, and my mind is blown by the concept. In the final chapter when the predictions of distant futures are made, I cry when I realize I won’t witness all of what’s to come. My obsession with the nature of time grew, and I mused and was confounded by the concepts of the unstoppable passage of time, the relationship of the self and the present moment and the implications of time-travel. Of course I didn’t have the vocabulary to express these questions and any attempt to do so was met by puzzled looks by and adults friends alike.  

Epiphany: There were fundamental aspects to existence, baffling and fascinating to me, but of no particular interest to almost all around me.  

 

Age 7: Fear  

I’m instructed to get some potatoes from the vegetable rack. I pick up a potato that has sprouted alien growths. I freak out.  

Epiphany: Some fears are irrational.  

 

Age 8: Pencils  
An interest in magic also opened my mind to the concepts and possibilities of psychic power and telekinesis. I was convinced that if I concentrated hard enough I could move objects with my mind. I stared intently for what felt like hours at pencils willing them to roll. Once I could have sworn one twitched, but this might be attributed to the physiological effect of me holding my breath while undertaking this futile practice.  

Epiphany: Just because something feels like it should be possible, it doesn’t make it so.  

 

Age 9: Expectations  

I reach for a glass of Orange Juice, and thirstily guzzle a mouthful. It turns out to be milk.  

Epiphany: Expectations affect experience.      

 

Age 10: Perfection  

I develop a love and aptitude for mathematics after coming top of my class in a test. I enjoy that sound logical reasoning can lead to a solution, and then the veracity of the solution can be tested. Mathematics offer a welcome oasis of logical purity in a logically messy grey world.  

Epiphany: There are areas in life with clearly right (and wrong) answers, regardless of people’s opinions.  

 

Age 11: Small  

My father was a nuclear physicist and I spent over two years of my childhood living near CERN. I walked around the particle accelerator, played on early versions of the Internet, heard terms like quark, charmed, lepton and quantum (used correctly) and gazed at the patterns of subatomic particles in the bubble and gas chambers. I was moved by the beauty of science, and how these clever adults could observe the behaviour of this strange tiny world.  

Epiphany: There is aesthetic beauty, nobility and wondrous surprise in scientific exploration.  

 

Age 12: Suction  

I become interested in the concept of a vacuum after witnessing the falling feather experiment. One quiet afternoon, I suck my lips into a glass tumbler and am interested in the extent to which this process can continue, sucking through the pain. I admire my lips in the mirror, which now have stretched to Donald Duck proportions, and go to the kitchen to share with my family the preliminary results of the experiment. They respond by screaming a range of instructions and questions about my intentions. I am left with an attractive red ring around my mouth for a week.  

Epiphany: 1) Some experiments are best left to experts, and 2 )I’m an idiot.  

 

Age 12: Elephant  

One night I’m left in alone and sneak downstairs to watch TV. I watch a Twilight Zone rerun (the one with the surgery and the reversal of the concept of beauty) and am horrified and transfixed. If this is not enough I then watch the film, The Elephant Man. I am appalled and conflicted by the horrific and unjust cruelty to John Merrick, and ponder if I would be like the kind Doctor or the gawking and cruel public, and I don’t want to know the answer.  

Epiphany: Our natural inclinations are not always our finest.  

 

Age 13: Punishment

A generally able and well-behaved student, I am given my first (and only) detention at school for “using the word allegedly too often” in a Religious Education homework.  

Epiphany: Some subjects are taboo, and some people have no sense of humour.  

 

It’s interesting and instructive to consider our early experiences, I feel that mine they have influenced me greatly, but these days I try to avoid sucking my face into glass tumblers.

 

     
Son of a CERN nuclear physicist, Milton was raised with wide artistic and scientific influences, an eclecticism that remains with him today. He has a BSc from the London School of Economics, a BMus (Berklee College of Music) and a PhD in music (University of Surrey), and holds commendations for his education and charity work. Milton now lives in London (UK) where he enjoys teaching, performing, composing, producing and writing about music. To learn more please visit miltonline.wordpress.com

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My latest JREF post – The Boy Who Stared at Pencils. A personal history of a child’s skepticism. That child being me, of course. I need to learn to write better titles.

Categories
Guitar Guitar Lessons Jazz & Improvisation Learning & Teaching

Harmonic Literacy for the Guitar VI: Minor Challenge. iiø-Valt-i all over the shop.

Following on from the challenge in the last post – developing ii-V-I vocabulary all over the fingerboard –  the following study takes a similar approach for minor ii-V-i patterns, for example Dm7(b5) – G7alt – Cm7. This will greatly enhance useful vocabulary. Furthermore all of the G7alt material may be readily used in a major ii-V context, and as ever these ideas can be broken up, restructured, shuffled, edited, sequenced and recombined for further editing. As a child I preferred Lego and Meccano to Playmobile and ActionMan. This is because with Lego and Meccano’s smaller and endlessly interconnectable units far more was possible, and the creative imagination had far freer scope; and partly because my ActionMan had missing fingers and only one of his eagle eyes moved.

One should adopt a Lego approach here, but just make sure you put them away when you’re finished.

Minor ii-V-I lines CAGED

Categories
Guitar Guitar Lessons Learning & Teaching

Harmonic Literacy for the Guitar V: ii-V-I Isn’t this a lot of fun.

The following short document uses an approach that provides 40 useful ii-V-I lines in every position of the guitar fingerboard, greatly aiding fluency of long improvised lines through jazz harmony. Hard work, but big returns. As ever, enjoy the process of practising and earn the resulting creative freedom. Yeah.

ii-V-I lines CAGED

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Categories
Guitar Guitar Lessons Learning & Teaching

In Two Minds: Harmonic Literacy for the Guitar IV – Walking Bass & Chord

Unlike the piano, the ability of playing a simultaneous bass line and chord progression on the guitar is hard won.

However, with some focused work on fretboard harmony, an effective, intuitively controlled and fun approach is possible.

The following document provides an introduction to the technique – and some patient practice will go a long way. Enjoy

In Two Minds: Harmonic Literacy for the Guitar IV – Walking Bass & Chords

http://bit.ly/moGulQ

Categories
Learning & Teaching Music Theory

Melodic Minor Harmony and Modes

Categories
Skepticism

A mecca of crazy

Once in a while, one comes across a motherlode of crazy rantings on the internet, and this might just take the loony biscuit. “Extinct” Pterosaurs appearing behind the WTC and at Guantanamo Bay, prehistoric nuclear reactors, Salvation instructions, superbly inventive creationist fallacies and more. 

http://www.s8int.com/

Categories
Skepticism

Życie zanalizowane – Racjonalista

A Life Examined – translated into polish for the Racjonalista site by Marek Zalinski!

http://www.racjonalista.pl/kk.php/s,1163#

Categories
Learning & Teaching Music Theory

An Introduction to Popular Music Harmony

[scribd id=52279893 key=key-3u3x1xa6jfgma3er62r mode=book]

Categories
Music Theory

Melody and Harmony

[scribd id=52240551 key=key-1k1ghlqrhoxb9xs9w7uj mode=book]

Categories
Music Theory

The Notion of Convexity in Music – Honingh & Bod

Here’s the interesting article examining inherent ster-convex properties of musical scales. Quite intriguing, will give it its due attention when I can.

http://staff.science.uva.nl/~ahoningh/publicaties/convexity.pdf

Categories
Music Theory

Universal property of music discovered

Media_httpimagesscien_krjlc

An overblown title, but interesting nonetheless. Will comment when I have time to explore…

Categories
Music Theory Skepticism

Trebuchet – The Interview. Geo and Milt geek out.

A transcript of Milton Mermikides’ interview with George Hrab on his latest album ‘Trebuchet’
Painstakingly transcribed by Kylie Sturgess.
The hours of audio are here: http://www.geologicpodcast.com/2010/07****Warning geeky musical content ****

[scribd id=51447705 key=key-554x9iw362a5ex8r74p mode=list]

Categories
Learning & Teaching Music Theory

Modulations

Categories
Learning & Teaching Music Theory

Upper Structure Chords

Get on top of your harmony.[scribd id=50813436 key=key-2c52bur762jfva7la0oo mode=book]

Categories
Concerts & Gigs Jazz & Improvisation

Gig! Fri 18/3/11 Union Chapel Swingle Singers & Urban Big Band. Tippett & Ellington.

This should be a great gig*. The awesome Swingle Singers with Urban Big Band. (I’ll be on guitar duties)

Come if you can. Come as you are. Come on Eileen. Come on, come on. Etc.

http://www.unionchapel.org.uk/events.php?gig=b6c16f5e-2434-479e-a7ab-50df22f5…

Thankyoutimes.

Categories
Composition Humour

Lårs & Marïse at geek pop

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The randomly ümlauted pandinavian musical duo at the virtual geek pop festival!

Categories
Music Theory

The solution to the PD/DA/PF puzzle.

Yesterday I asked the (unlikely) question if anyone noticed a little musical easter egg I laid in the Pod Delusion tribute to Douglas Adams.

The podcast was edited in a way that made it barely audible and the reference is obtuse and lateral but here goes if you are keen to know.

The moment is most clearly heard at 56:00 of the pod delusion mp3 track.

In Pink Floyd’s tribute to Syd Barrett, ‘Shine on You Crazy Diamond’ as the song is dying away the moog plays – in a very missable but achingly poignant way- the melody from Syd’s classic ‘See Emily Play’

The Hitchhiker’s theme (actually by the Eagles) that I rearranged is in a mode called Dorian (a particular scale with a lovely characteristic – see here for more: http://www.scribd.com/doc/47614279/An-Introduction-to-the-Wonderful-World-of-… This happens to be the same mode as ‘Shine On You Crazy Diamond’ so in my track as the last chord dies away, you hear a moog playing a little melody with the classic ‘Shine On’ four note guitar motif… What is the melody? The Pod Delusion theme.

The reason I did this is that Douglas Adams was a big Pink Floyd fan and as mentioned on the pod delusion special even played bass guitar with them on stage. http://www.youtube.com/watch?v=_Rk6nN-FVi0 which gives it all a nice symmetry. I won’t mention what happens at 42 seconds.

Here’s an annotated audio file:


Did you get it?

Categories
Learning & Teaching Music Theory

Complete Track Analysis Techniques

Complete Track Analysis

Categories
Skepticism

The Nightingale Collaboration

Launch of the Nightingale Collaboration

We will be revealing our plans for the future over the next few months, but today we are announcing a project that everyone can take part in.

Today, the 1st March, the Advertising Standards Authority (ASA) changed its rules so that members of the public can make complaints about misleading marketing communications on websites.

Until now, the misleading, outrageous and sometimes dangerous claims made on many healthcare websites have been off-limits, but now you can do something about them by submitting your own complaint.

We think it will help the ASA if our supporters focus complaints on one area of healthcare each month, as this will mean they can focus their research and adjudication process. Hopefully, this will enable the ASA to deal with complaints more quickly and effectively.

Hence, at the start of each month we will be announcing a new area of healthcare where we would like you to look for misleading claims on the web, make an ASA complaint and help eradicate misleading claims.

Today, as part of our first project, we want all those concerned about the public being misled to submit complaints against homeopathy websites that make misleading claims, and who therefore offer ineffective treatments, put patients at risk and take considerable amounts of money in exchange for sugar pills.

Our step-by-step guide will make it easy for anyone to submit an ASA complaint. So why not make a difference today by making an ASA complaint against a homeopathy website thereby helping to protect the public?

 

arroworangeTake part in Focus of the Month

arroworangeFind out more about the Nightingale Collaboration

 

To be kept informed of our activities:

arroworangeSign up to our Newsletter to find out when each new project is launched — see the form on the right.

RSSSubscribe to our News and Results feeds, either to your RSS reader or via email.

TwitterFollow us on Twitter.

As of a few seconds ago, Alt-med practitioners can no longer get away with false, misleading or unevidenced health claims. I, as a leukaemia survivor, and also a witness to people suffering at the hands of unscrupulous or delusional alt-med practitioners, think this is a good thing. If you agree please visit the Nightingale Collaboration to take part.

Categories
Learning & Teaching Music Theory

Popular Music Harmony: Inversions and Basslines

Categories
Learning & Teaching Music Theory Research

Time-Feel Lecture Slides

Categories
Learning & Teaching Music Theory

Jazz Harmony Lecture Slides

Categories
Music Theory Research

Milton Mermikides Research Seminar – University of Surrey – Guildford

Milton Mermikides Research Seminar

Time-feel: the analysis, modeling and employment of sub-notational rhythmic expression

Date:
Tuesday 22 February 2011
Time:

16:00 to 18:00

Where?
TB06
Open to:
Public, Staff, Students

The analysis and pedagogical focus of the jazz idiom has, historically, been largely limited to those musical features most easily described within the standard notational system. These aspects took precedence over the hugely important stylistic mechanisms of rhythmic expression that fall between the cracks of standard notation. However, with 1) the advent of digital audio analysis, 2) an increased willingness and ability of practitioners to articulate this aspect of performance and 3) a conceptual liberation from a quantized grid-view of rhythm, light has been shed on this poorly understood and yet “most basic fundamental element” (Crook 1991) of jazz and popular music virtuosity. Through the consolidation of practitioner-led research and pedagogy (Mingus, Crook, Bergonzi and Moore etc.), current analytical research (Benadon, Naveda et al, Gerischer and Friberg & Sundström etc.) and extensive use of precise digital audio analysis, this paper presents a relatively simple, powerful and usable model of expressive micro-timing in jazz and contemporary popular music, variously referred to as ‘swing’, ‘groove’ or ‘rhythmic feel’ and here collectively termed ‘time-feel’.
Central to the model is the conceptual separation of the mechanisms of swing (offset of the second quaver) from latency (the sub-notational rhythmic placement of an individual performance relative to a negotiated time-line). This separation reveals and makes quantifiable a wealth of expressive rhythmic mechanisms (dynamic swing-levels, time-line hierarchy, time-feel blocks, differential elasticity, hyper-latency, swing friction, ensemble swing, isoplacement, latency contours and temporal plasticity) lost to the discretely delineated rhythmic paradigm. Analytical methods are suggested that create useful comparisons of stylistic and performer-based variations, as well as how time-feel may be controlled dynamically during performance. A formal mathematical model, specifically written real-time software, graphic notation and digital audio techniques are presented which may be employed with great flexibility for analysis or as supporting mechanisms to performance, pedagogical practice and composition. In order to demonstrate the real-world relevance of this model, detailed analysis and commentary of precisely measured rhythmic data is also presented in case studies with a diverse range of artists including Django Reinhardt, Jimi Hendrix, Chuck Berry, Michael Jackson, Nick Mason (Pink Floyd) and a specifically commissioned recording session with Pat Martino.

Categories
Skepticism

The De-VINE Comedy

Gazooks!

After years of polite (as possible) debate and deflected abuse I’ve been banned from the ‘VINE’ Vaccine Information Network for posting… vaccine information. They now have a ‘new policy’ – apparently inspired by Dr. Sherri Tenpenny (who as it happens has no wiki page) – of deleting anything that doesn’t promote an anti-vaccination strategy however ill-informed or oft-refuted.

The owner, to his credit, has for years tolerated my dissenting arguments, until now. http://www.facebook.com/pages/Vaccination-Information-Network-VINE/69667273997

VINE is a charming place that also promotes chemtrail conspiracies, homeopathy prophylaxis, germ-theory and HIV-AIDS denialism. I actually don’t have a problem with an open discussion of any ideas -in fact I welcome it – and will change (and historically have changed) my views in the light of better evidence.

In the case of VINE I’ve learned much, much more about vaccination, and the extent of anti-vaccination conviction, and actually in so doing have found the anti-vaccine position to be even weaker than I first thought – but it could have turned out differently.

Now I value debate with a spectrum of opinions, however there are people there all to eager to offer self-satisfied unqualified, incorrect, direct and dangerous medical advice to the vulnerable. Don’t vaccinate. Treat pertussis with homeopathy. Do not fear HIV. Not so nice, and my regret is that those looking for genuine information, unfortunate enough to visit VINE may be vulnerable through confirmation bias and the human brain’s propensity for self-delusion. A shame.

So, in lieu of any compelling arguments they’ve gone for censorship of any dissent, an Us and Them mentality and an echo chamber of misinformation. There’s a word for that:

Cult.

(I rechecked spelling)

Ironically, I think this behaviour actually hurts the movement’s purported – and ostensibly noble – aims of ‘vaccine safety’ relegating it to moon-hoax, AIDS-denialist status, and eventually even an irresponsible media will tire of its blatherings as they become yet more distant from reality.

VINE is a tiny ‘island’ (as it proudly calls itself) of the ‘enlightened’ few, but perhaps this move is representative of the typical life-style of such movements.

1) An attempt to debate the information openly and honestly.

2) When ideas fail to stand up to honest debate, appeal to conspiracy theory.

3) When appeal to conspiracy theory becomes too repetitive and increasingly klunky: Ban all dissent, and draw a line around the enlightened ‘Us’ and the stupid and/or corrupt ‘Them’

As Steve Novella would attest, our brains reward us for any resolution of cognitive dissonance, but I’m careful to be as wary of this as possible and welcome challenge to my pre-existing notions however painful that sometimes is. The enforced separation of a human brain from any possibility of alternative views, is rational suicide. The human brain hunts down with hunger anything that will confirm its pre-existing beliefs and in the absence of a better viewpoint, will gorge on any old junk-food for thought. The owner of VINE is now declaring the satisfaction of banning anyone who doesn’t buy the anti-vax gambits, and I don’t doubt for a moment that he is receiving repeated dopamine hits with each removal of potential dissent.

Ultimately there will always be a market for anti-science propaganda that appeals to emotion and exploits the fallibilities of the mind. It’s inbuilt (Bruce Hood: http://brucemhood.wordpress.com/about-supersense/)

However I predict that this latest anti-vaccination tactic will deepen the conviction of a few but isolate these ideas from a wider public. Ultimately a better thing for public health. And yes, I’m fully aware that I got a dopamine hit when I came up with that potential outcome.

Any comments are, as it happens, welcome here.

Milton Mermikides

(aka Shill, Big Pharma Shill, NWO whore, idiot, sheeple, corrupt, moron, meddler, septic and arrogant scientist)

Categories
Concerts & Gigs Live Electronics Music Technology

Maria-Christina: Harp & Electronics.

Here’s a short video of my (gorgeous) cousin Maria-Christina (Winner of the Wales International Harp Competition) on harp and electronics.

[youtube=http://www.youtube.com/watch?v=U4bopHmiTVE&w=640&h=390]

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