Categories
Guitar Guitar Lessons Jazz & Improvisation Learning & Teaching

Harmonic Literacy for the Guitar VI: Minor Challenge. iiø-Valt-i all over the shop.

Following on from the challenge in the last post – developing ii-V-I vocabulary all over the fingerboard –  the following study takes a similar approach for minor ii-V-i patterns, for example Dm7(b5) – G7alt – Cm7. This will greatly enhance useful vocabulary. Furthermore all of the G7alt material may be readily used in a major ii-V context, and as ever these ideas can be broken up, restructured, shuffled, edited, sequenced and recombined for further editing. As a child I preferred Lego and Meccano to Playmobile and ActionMan. This is because with Lego and Meccano’s smaller and endlessly interconnectable units far more was possible, and the creative imagination had far freer scope; and partly because my ActionMan had missing fingers and only one of his eagle eyes moved.

One should adopt a Lego approach here, but just make sure you put them away when you’re finished.

Minor ii-V-I lines CAGED

Categories
Guitar Guitar Lessons Learning & Teaching

Harmonic Literacy for the Guitar V: ii-V-I Isn’t this a lot of fun.

The following short document uses an approach that provides 40 useful ii-V-I lines in every position of the guitar fingerboard, greatly aiding fluency of long improvised lines through jazz harmony. Hard work, but big returns. As ever, enjoy the process of practising and earn the resulting creative freedom. Yeah.

ii-V-I lines CAGED

Share 

Categories
Guitar Guitar Lessons Learning & Teaching

In Two Minds: Harmonic Literacy for the Guitar IV – Walking Bass & Chord

Unlike the piano, the ability of playing a simultaneous bass line and chord progression on the guitar is hard won.

However, with some focused work on fretboard harmony, an effective, intuitively controlled and fun approach is possible.

The following document provides an introduction to the technique – and some patient practice will go a long way. Enjoy

In Two Minds: Harmonic Literacy for the Guitar IV – Walking Bass & Chords

http://bit.ly/moGulQ

Categories
Learning & Teaching Music Theory

Melodic Minor Harmony and Modes

Categories
Learning & Teaching Music Theory

An Introduction to Popular Music Harmony

[scribd id=52279893 key=key-3u3x1xa6jfgma3er62r mode=book]

Categories
Learning & Teaching Music Theory

Modulations

Categories
Learning & Teaching Music Theory

Upper Structure Chords

Get on top of your harmony.[scribd id=50813436 key=key-2c52bur762jfva7la0oo mode=book]

Categories
Learning & Teaching Music Theory

Complete Track Analysis Techniques

Complete Track Analysis

Categories
Learning & Teaching Music Theory

Popular Music Harmony: Inversions and Basslines

Categories
Learning & Teaching Music Theory Research

Time-Feel Lecture Slides

Categories
Learning & Teaching Music Theory

Jazz Harmony Lecture Slides

Categories
Learning & Teaching Music Theory

Rock and Pop Harmonic Devices

[scribd id=48711252 key=key-2iaz8sf9gsdqpgoa5051 mode=list]

 

Categories
Learning & Teaching Music Theory

Modal Interchange

Common modal interchange chords.

[scribd id=48706277 key=key-1wlqv6h66yf67alpbhhi mode=list]

Categories
Learning & Teaching Music Theory Research

The Science and Art of Tuning – Lecture Slides

Categories
Learning & Teaching Music Theory

40 Elements of Popular Music Harmony

Not a comprehensive list, but understanding these elements (many covered in the Popular Music Harmony documents already posted) can really help understand the use of harmony is wide range of pieces in the jazz, rock, funk, blues, metal and pop idioms. In the future I’ll post some analyses of a range of tunes and show how this wide knowledge is needed to really understand what’s going on in contemporary popular music.
Simple? No. Don’t confuse accessible with simple. To really appreciate the harmony of the Beatles, Beck, Hancock, Gershwin and Stevie Wonder one needs as much understanding as that of ‘classical’ music harmony.

Menu Title