Very satisfying to receive this series of books from OUP at long last. Very pretty looking academic books, if you can believe that. My chapter with Eugene looks quite cool including all those brain bending Coltrane Cubes, M-Space and improvisational fields.
A real pleasure to appear with my sister Alex to talk about the Bloodlines project (and data sonification in general) on BBC Radio 4’s Midweek on Wednesday 28th October hosted by the quite brilliant Libby Purves. Fellow guests included the delightful and inspirational Peggy Seeger and Amati’s James Buchanan.
My article on Bossa Nova guitar is now in Guitar Techniques issue 238. Such an amazing and idiosyncratic guitar style, it was a real pleasure to put this together, and I learned a lot about the players and techniques.
Well I must be doing something right – or probably not enough wrong – as the good people of Future have asked me to yet another DVD this Winter.
It’s due for release in early 2014. Topic is under wraps but this little image should give you a mighty big clue. Rather excited about this one.
My instructional DVD on Chicago Blues is now available in newsagents and online. The early Chicago Blues players – hugely influential on Hendrix, Clapton and the rest – are incredibly important in shaping much of what is now standard practice in all contemporary electric guitar playing. Researching these players was hugely instructive and I worked hard to distill and communicate some of these powerful elements on the DVD. And I have new guitarists in my pantheon of inspiring players Jimmy Dawkins and Magic Sam
From the makers of Guitar Techniques this magazine and DVD package is especially for guitarists that can play from lower to upper intermediate level. It’s for those that want to strike out on the path to jazz – or who simply fancy adding some cool jazz chords or some juicy jazzy licks to their current arsenal of chops.
To get you started, the most useful chords and scales you can use in jazz
Jazz rhythm styles; now you’ve learn some cool jazz chords, do some comping (accompaniment) with them!
Learn some great lead jazz guitar licks
Bossa Nova – in the style of Antonio Carlos Jobim, Joao Gilberto and Charlie Byrd
Jazz-Blues – in the style of Barney Kessel, Kenny Burrell and Herb Ellis
Jazz-Funk – reminiscent of George Benson and Grant Green
Ballad – inspired by accompanists Joe Pass and Herb Ellis
Rhythm Changes – essential jazz progression first used by George Gershwin