Archives for April2013

John Williams Recording

It’s wonderful to be involved in classical guitar virtuoso John Williams’ latest recording project. Details to follow, but the energy, enthusiasm and skill he continues to deliver after 200 CDs, all the accolades and well over a half-century of professional musicianship is astonishing and inspiring in equal measure.

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Back to the Future Publishing. New Guitar DVD commissioned.

In May, I’ll be recording a second instructional Guitar DVD for Future Publishing. Not Jazz, like the last one and it will involve a lot of research and work, but am looking very much forward to it. Now I have to beg, borrow or steal* a Gibson 335…

Ooh

*possibly buy

Alexia Coley in Paradise

It’s a real pleasure to be Alexia Coley‘s guitarist. She has the most wonderful and authentic blues soul voice. After her fresh signing, there’s a slew of gigs coming up including a monthly residency at the luxurious Paradise Club Next Gig: 3rd May.

“If Otis Redding had a child with Sade, Amy Winehouse and Etta James, She might sound something like this.” says Mike Benhaim of Metro Canada with no respect for current fertility technologies.

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Bridget’s Guitarrista

I can say without bias that Bridget‘s classical guitar playing and arranging is exquisite and widely admired by musicians from Julian Bream to Tim Minchin. It was an absolute pleasure to record and produce her debut solo album, and the next is just around the corner.

 

Martino: Unstrung

Composition for Martino:Unstrung (Sixteen Films 2008) Full length documentary of the extraordinary life of jazz guitar legend Pat Martino.

“Perhaps the best documentary about a jazz musician ever made” – Victor L. Schermer All About Jazz – read full review and interviews here.

http://www.youtube.com/watch?v=Im-l2kUTs-U

Tim Minchin’s Storm

Here’s Tim Minchin’s masterpiece Storm, animated and produced by DC Turner and Tracy King, for which I had the pleasure of providing production & arranging services.

BloodLines

A Chimera Network project Bloodlines is a performance that traces the microscopic drama that plays out between a serious disease and medical treatment in the human body. It draws on its makers’ personal experience of Acute Lymphoblastic Leukaemia (which I developed in 2004) and its treatment through intensive chemotherapy, radiotherapy and a bone marrow transplant (donated by his sister Alex Mermikides, who is directing the performance). Also collaborating in the performance is Ann Van de Velde, a clinical haematologist involved in the care and treatment of blood disorders such as Leukaemia, and Anna Tanczos, a digital artist specialising in science communication.

‘…is the human body a soul-less, self-less object at the mercy of automatic internal processes…or is it a precious vessel containing a unique individual…?’

Sian Ede Art & Science. London and New York: Taurus Books, 2010. p.145

Bloodlines was presented at the 2013 European Bone Marrow Transplant Conference and will premiere at the Dana Centre on 18 July 2013.

The Chimera Network

My sister, Dr. Alex Mermikides, and I have recently won funding from the AHRC to set up a network of scientists, artists, writers and musicians to collaborate on Art-Science projects.

http://chimeranetwork.org

The Chimera Network brings together a network of scholars and professionals in arts and science disciplines. Through a series of events and artworks, the network explores collaborations between artists and scientists, asking:

How might collaborating with scientists generate novel creative methodologies, artistic forms and modes of spectatorship in artistic practice?
How might collaborating with artists prompt new understandings of scientific ideas and forms of science communication for both scientists and the general public?

Exciting projects afoot.

Electronics with Ruthless Jabiru

On May 9th, I’ll be playing with the fab (almost) all-Australian Orchestra Ruthless Jabiru under the directorship and baton of Kelly Lovelady.

I’ll be performing live electronics with the 18-piece ensemble, for Brett Dean’s fabulous Carlo. Which interweaves multiple fragments of renaissance composer Carlo Gesualdo’s vocal works (of which I am great admirer) among the live orchestral passages. Originally written for sampler and CD, I’m reworking the electronics for Ableton Live to be triggered via Launchpad (assuming my Push won’t reach me by then). It’s quite a tricky score and electronic fiddle but potentially very powerful.

We’ll be performing in the incredible Exhibition Hall of London’s Australia House (which you may recognise as Gringott’s Wizarding Bank).Ticketing info here. Magic.

PhD

Here’s the theoretical section of my PhD Changes Over Time (2010)

Changes Over Time:Theory – Milton Mermikides by Milton Mermikides

And the practice portion:

Changes Over Time Practice Milton Mermikides by Milton Mermikides


 

Jazz Guitar DVD released

Jazz Guitar Instructional DVD published by the good folk of Future Publishing

In their words…

From the makers of Guitar Techniques this magazine and DVD package is especially for guitarists that can play from lower to upper intermediate level. It’s for those that want to strike out on the path to jazz – or who simply fancy adding some cool jazz chords or some juicy jazzy licks to their current arsenal of chops.

  • To get you started, the most useful chords and scales you can use in jazz
  • Jazz rhythm styles; now you’ve learn some cool jazz chords, do some comping (accompaniment) with them!
  • Learn some great lead jazz guitar licks
  • Playalong tunes:
    • Bossa Nova – in the style of Antonio Carlos Jobim, Joao Gilberto and Charlie Byrd
    • Jazz-Blues – in the style of Barney Kessel, Kenny Burrell and Herb Ellis
    • Jazz-Funk – reminiscent of George Benson and Grant Green
    • Ballad – inspired by accompanists Joe Pass and Herb Ellis
    • Rhythm Changes – essential jazz progression first used by George Gershwin

Available here:

 

QED Conference Video

A collaboration with Mike Hall and Tom Hardwidge of Considered Creative brought about this super fun animation for the opening of the 2013 QED conference. Musically, I wanted to capture the relentless spirit of scientific exploration through the ages, so felt a perpetual motion chord sequence with the instruments changing in line with the ages. 50 points for identifying the sound when Cox throws the LHC switch.

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